Thursday, December 28, 2006

My Hero

When i was a small boy my mother and father got a divorce. My Mother, sister and I all moved in with my grandparents and lived with them for 9 years. From age 5 till i was 14 I lived with my grand father. He was a my role model and someone I had the utmost respect for. He taught me what honor and being a man was all about. He spent 20 years of his life serving our country in the Navy and air force. On July 5th 2006 my grandfather passed away after his battle with cancer. I lived away from him at the time and when he died I never really had a chance to say goodbye.

This piece is one I did as a Christmas gift to my grandmother and a tribute to my late grandfather. This is my goodbye to you and me only hope, where ever you are, you can look at me and be proud knowing that you teachings and the example you showed me in your life was not in vein. I might have grown up without a father but I had you to show me how to be a good man. I miss you grandpa, and I wish i could have said goodbye.

Wednesday, October 04, 2006

18 page preview of Pencilneck issue 1

Here is a 18 page preview of Pencilneck Issue 1. http://www.comixpress.com if you would like a copy














Friday, September 29, 2006

Friday, August 18, 2006

Small press…Big talent!



This is the top 5 small press guys that are not only creators to watch, but are guys who have already made their mark in small press comics. These are the guys that can get their projects green lit buy companies like image Dark horse and Oni. These guys are doing their part to keep the “little guys” on the map. I left off the Brian Michael Bendis, Mark Millar types. Yes they do a lot of small press books, but they are as well known for what they do with the big boys as the small ones. These are guys that make their bones solely in the small press (for now). Here they are.


5. Matt Fraction- Like any good writer Matt attracts some of the most talented artist around. He’s worked with a lot of talented guys from the KC area that are true diamonds in the rough ( Hector Casanova, Steve Sanders). He has proven himself as a local treasure in KC and looked upon with great respect from the art community there. He has finally put himself on the national map creatively and professionally with some very well written critically and acclaimed books. Matt has been creating comics for a while and has earned every bit of recognition he’s now getting. The first thing I read from Matt was “Mantooth” but with his newest titles like “Casanova” and “the Five Fists of Science” he showing his true range as a writer. His writing style and concepts are smart, imaginative and at reminiscing of a Warren Ellis or Alan Moore. Like those writers Matt can also write larger properties and make them entertaining without “selling out” what truly makes him a unique writer.


4. Ryan Ottley- He is best known for work on Image Comics' Invincible. Artist and co-creator of webcomic strip "Ted Noodleman", and it was through this web strip that Robert Kirkman first encountered Ryan's work. I've seen Wya ( many of us wanna bees and fans know him as) work for years before he was getting regular gigs and has always been one hell of an artist and one hell of a great guy. Ryan is a true indy guy with works in Digital Webbing presents, Ted Noodleman and OZ5 and now a smash hit with Invincible. Ryan's skill and speed is only matched by his professionalism and character. No matter if you see him at a con or on the net on message boards he’s always opinionated but always endearing to his fans. Ryan is an artist that can draw any and everything, cartoony or super detailed renderings. He will one day soon, be among the elite in the comic world.

3. B.Clay Moore- Clay is someone I know on a very casual basis. I had the pleasure meeting and hanging with him back in Kansas City doing the start and height of the Kansas city comic Creators boom. I sat with him in CCN meetings and read his little “Hawaiian Dick” ashcan before anyone even knew what he had. Who would have know…not me! I mention this because Clay is the one of those guys from that group that I know that has had some success ( Clay had more than just some success,) but still remains the same guy. Clay is not an underrated talent because every review I've ever read on his work has been stealer! Every book he does is not only quality work but has wit, humor and paced beautifully. His work is smart without being to “inside” or obscure and always remains hip. Clay has another sign of a great writer, he attracts good artists. Clay has a great eye for knowing what artist will do his story justice and looks for one that will complement his books and still be able to put their own artistic stamp on the material. Clay seems to be a very artist friendly creator, something I believe is needed if you ever want to have longevity in the business of creating comics. He seems to have the Midas touch with Books like “Hawaiian Dick”, “Battle Hymn” and the “Leading man”. Even books less read like the “Expatriate” has a very loyal following. Clay is a creative indy guy. And with Hollywood knocking down his door it’s just a matter of time before his name will be up there with all the heavy hitters in the biz. we could use “Moore” guys like him…damn, that pun was bad!

2. Tony Moore - ( no relation to Clay : ) I've been a fan of Tony long before I ever knew who the fuck he was. I still remember picking up “Battle Pope” #2 off the shelves like 5 or 6 years ago and being blown away at the his art! His art is very reminiscent of Will Eisner in the way his figures convey emotion and action. His ability to draw action and cartoony humor and over the top covers! Moore is by far my favorite artist to come up in the past ten years and it’s a shame he has not won an Eisner award yet, one of the reasons that award is losing all credibility in my eyes. As an artist myself I look at his work as something to aspire to. People get caught up in the over rendered photo realistic type art that has flooded the mainstream market. Fear Agent and the wicked good Walking Dead ( first 6 or 7 issues) are some of the best books you'll experiance in the small press. The Quality that Tony has in his work is something that doesn't come around to often in comics and if he has the right opportunity and motivation I think Tony will be our generations John Romita Jr. Plan on seeing him in the biz for as long as he want’s to be in it.


1. Robert Kirkman- Yeah, I know he’s doing a lot of Marvel stuff, and how I said I would exclude those guys, but come on! Robert is a hard core indy guy that started from nothing and busted his ass with Battle Pope that lead to gigs like Tech Jacket with Image and Then Hit a home run with titles like the Walking Dead ( with Tony Moore) and Invincible ( with Ryan Ottley) His Walking Dead series topped the image sales charts mouth after mouth and with the help of Uncle Way propelled Invincible to a fan favorite and got Hollywood giving him props with not only an option, but an offer to write the script, damn that almost unheard of for someone that’s not yet on the Hollywood map! Kirkman has all the qualities of a real indy guy and works his ass off churning out quality book after quality book. Kirkman is all set for mainstream heat and is now taking Marvel by storm and helped put over some of the best Indy properties being published in recent years. He evens put his buddy Tony Moore on the map with collaborations on Battle pope, Brit, Walking dead.

Friday, August 04, 2006

Top ten science fiction films



Here is yet another one of my (not so) famous top ten lists. This time is top ten Sci fi movies. The criteria is this, it must be “true” Science Fiction film. There are lots of cool movies that Have sci fi elements in it, like 12 monkeys, Close Encounters and Terminator. But a true sci fi film (in my humble opinion) is set in the sci fi world for the entire film and the story takes place in that world. Terminator makes references to another time, but is never really takes place in that time. These are the ten best true Science fiction films of the past 30 Years. (I’m leaving off 2001 because I’ve never seen it…I know I suck)



10. Minority Report- A great science fiction thriller is also one of Spielberg’s strongest films. It earned four Saturn Awards, including Best Science Fiction Film and Best Direction. It also earned an Academy Award nomination for best sound Editing. A Great plot is the key to any compelling science fiction film and this one is very thought provoking. set in Washinton D.C. during the year 2054 Thanks to three "precogs and technology built around their ability to see murders before they happen, the city has gone six years without a homicide. The group making use of the precogs is called the "Department of Pre-Crime"; the police officers and detectives within the department are empowered to act on their foreknowledge, arresting people who are about to commit a murder, and imprisoning them without a trial in a "Hall of Containment" using technology even crueler than that used to make use of the precogs. The story asks many moral and ethical questions about what types of freedoms would you give up to live in a safe invoronment. The film has cool gadgets and weapons, and new hip looking transit system and a more rundown looking part of the city called the “sprawl”. The Tom Cruise Character has depth and has a tragic past that makes his plight very believable. I love this movie and watch it often.


9. The Matrix- the original Matrix was one of the most ground breaking films of the past 20 years. The Wachowski brothers (who wrote and directed the flick) hit a home run with Characters and plot. One of the best “apocalyptic” movies with an awesome back story that has spawned Animated shorts and comics that help fill in the gaps. A lot of people discount the direction they took with the other two films but no one can deny the near flawless masterpiece that is the Matrix. If you have never seen it, you are one of the few.



8. Dark City- This might not only the most underrated science fiction film but one of the most passed over movies of the past 15 or so years! Screen writer David S.Goyer ( Blade, Batman begins) Hits big time with a psychological thriller that keeps you guessing and has another great story line that is similar to the Matrix in the way that these people of dark city are oblivious that they are puppets in a bigger picture. The story begins with a man waking in a hotel room with no memory, which soon proves to be but one of many troubles. He is being hunted by the police, who believe him to be a serial killer, and also by a group of mysterious men with kinetic mind powers (their first meeting is very creepy). Furthermore, something appears to be wrong with the world at large: time, memory, and identity behave in unusual ways. The look of the movie is a combination of a film noir crime story and a great American science fiction film that has roots in gothic euro style of science fiction. The film has a great climax and ending that leaves you wanting to watch it again and again


7. Alien-This 1979 film is the oldest flick on the list. Ridley Scott is one of my favorite Directors and a masterful storyteller, especially in the genre of science fiction.

H.R.Giger designed the film's visual imagery and won an Oscar for it and I’m sure after you read this and the other films on this list you will see I have a soft spot for the Euro style of science fiction This movie not only launched the carrier of Sigourney Weaver and made a Franchise property for her but this movie was one of the scariest, most suspenseful movies of it’s time. Weaver plays such a great female character; Ripley was the mold for all the strong female leads you see in today’s action films.


6. Star Wars- like any great movie this film has the holy trinity of a great science fiction or fantasy film. A great plot, characters and setting. Star Wars is great because it has elements of Science, Magic and mysticisms (the force) Good versus evil and so many cool creatures and worlds. Star Wars created an infinite number of possibilities for its characters and story lines. The best thing about Star Wars is that there is so much history not only in the film but in it’s expanded universe that makes the films that much more enjoyable for “geeks” like me that want to know everything about every character in the film. George Lucas is not a great director or script writer, in my opinion but what he lacks in those categories, he more than makes up for in his fantastic visual style not to mention his imagination knows no bounds.


5. The Fifth Element- I love this movie on so many levels. Concepts and designs by Mobius, costumes by Jean Paul Gautier, Lelu… (Milla Jovovich!). The aesthetics of the movie were designed by Jean Giraud (Moebius) and Jean-Claude Mézières and it has a strong, European comic book-like look and feel that keeps you glued to the screen.

The movie places the survival of mankind on the shoulders of Korben Dallas (Willis) after "the Fifth Element" (Jovovich) falls into his taxicab. His mission is to find the other four elements, represented by stones, (fire, earth, wind, water) and to gather them all before a black evil planet collides with the Earth. Mangalores, blockheaded warrior aliens, and Jean-Baptiste Emanuel Zorg (Oldman), a corporate villain, are bent on thwarting his efforts.
Action, comedy plus great characters and over the top action one of the most visually stunning films and one of those movies where everything from the cigarette the letters in the mail (on clear paper) is grounded in this fictional world. Everything is re invented for this movie. I love it and in years to come will be looked at as the masterpiece that it is.





4. Akira - The story takes place in the politically volatile city of Neo-Tokyo, built over Tokyo Bay after an unexplained explosion inciting World War III had destroyed the previous metropolis. The cataclysm is revealed to have been caused by the frightening psionic powers of a child, Akira, who had earlier been the subject of a secret government research project for the development of psychokinetic abilities. 1988 anime film by Katsuhiro Otomo based on his

manga of the same name. The movie led the way for the growing popularity of anime in the West, with AKIRA considered a forerunner of the second wave of anime fandom that began in the early 1990s. One of the reasons for the movie's success was the highly advanced quality of its animation. Even though I’m as big a fan of Ghost in the shell ( that movie inspired the Matrix visual style) Akira paved the way and shocked the amimation world and helped put anime and japanese science fiction on the map for western audiances. If your not a fan of Anime your missing out on some great science fiction.



3. Brazil- Now we are getting to what I truly love, gothic and arcaic science fiction where the world is not this higentic utopia of a perfect technology but more of a step back and most people have down graded there quality of life. The world is a mixture of uchronic aesthetics drawn from various styles of the mid-20th century but without fixing it on a particular real-life timeframe since these appear along with futuristic machines, technology and organisations.

Brazil is one of the masterpieces by Terry Gilliam ( Time bandits, 12 monkeys, the Fisher king) Like many Euro inspired science fiction, Brazil has many fantasy and dream elements to it. You know the Mark of a great sci fi or fantasy film if it has Ian Holms in it ( He is also in the Fifth Element, Lord of the Rings, Alien and Time Bandits!) Brazil has very witty high brow type humor and great visual style that makes this film an all time cinima classic. Great ending to the movie too.




2. Bladerunner- It’s a toss up for the best of all times, and anyone that says this should be number one…well, I really can’t argue. The film depicts a dystopian Los Angeles in November 2019 in which genetically manufactured beings, physically identical to adult humans, called replicants are used for dangerous and degrading work in Earth's "off-world colonies." Replicants became illegal on Earth after a bloody mutiny. Specialist police units — blade runners — hunt down and "retire" (i.e. kill) escaped replicants on Earth. The plot primarily focuses on a particularly brutal and cunning group of replicants hiding in Los Angeles and a semi-retired blade runner, named Rick Deckard, who reluctantly agrees to take on one more assignment. This movie I believe helped to inpire many clone and cyborg type movies like A.I. The story is so ahead of it’s time and one of those rare movies that is as good today as it was in 1982 and is almost more relivant. Well fleshed out characters, Roy Batty (Rutger Hauer) is a commando, Leon a soldier and manual laborer, Zhora (Joanna Cassidy) a sex worker retrained as an assassin, and Pris (Daryl Hannah) a "basic pleasure model." Bryant also explains that the Nexus-6 model has a four-year lifespan as a failsafe against their developing unstable emotions. Deckard is teamed up with Gaff (Edward James Olmos) and sent to the Tyrell Corporation to ensure that the Voight-Kampff test works on Nexus-6 models. While there, Deckard discovers that Tyrell's (Joe Turkel) young secretary Rachael (Sean Young) is an experimental replicant (who believes she is a human) with implanted memories from Tyrell's niece, which provide a cushion for her emotions. I’m a character guy and believe it is imposable to have a great film without many stong multi fasited characters with more that a few layers. Lastly like any great film it is very thought provoking and leaves a lot to the viewer imagination. Many critics and movie goes hated this film for that reason but for the rest of us the compelling question of weather or not Deckard is a replicant is just that thing that makes the movie great. Oh, just so you know…Of course he is, you silly goose!


1. the City of Lost Children- This film is barly a science fiction film, it’s more of a hodge podge of fantasy, old monster movies and fairy tales with many dream and surreal sequances.. City of Lost Children is more like the Wizard of Oz than like the Matrix, but is still dipped in enough science fiction jucies to be my number one pick. The plot revolves around a mad scientist, Krank (Daniel Emilfork), who lives off the coast of a surreal Dickensian French city in an old oil rig. Krank does not have the ability to dream, and as a result he is prematurely old. In order to supplement his dream deficit, Krank kidnaps young children in order to study and extract their dreams. Unfortunately for Krank this is a self-fulfilling curse, as the experience of being kidnapped is so traumatic that the children have only nightmares.
In pursuit of this scheme, Krank employs a sinister cult of blind men called "Cyclops" to perform the kidnappings. In return for giving up their sight, the cult's neophytes are given a mechanical "third eye" and a device which makes their hearing unnaturally sensitive. This augmentation is as much a curse as it is a boon; at one point the audience may witness the discomfort of one Cyclops listening to Denree chomp his food.
It is revealed that Krank is an artificially created man with superior intelligence. He was created by an inventor who also created six clones, a wife for himself (who later betrayed him), and a migraine-ridden brain in a jar named Irvin for him to interact with. Irvin's voice is supplied by Jean-Louis Trintignant; the Inventor and his clones are all played by Dominique Pinon.
The events of the film open with a sideshow strongman named One (Ron Perlman of hellboy fame) witnessing an orphan he cares for, named Denree (Joseph Lucien), being kidnapped by Krank's Cyclops. It later turns out that Denree is a special child, one able to provide Krank with the ability to overcome his condition (due to the fact that Denree has no sense of fear). One sets out to find and rescue his "little brother", with help of a nine-year-old street urchin girl named Miette (Judith Vittet) who holds the screen like no other child actress that I’ve seen.


Also in the film are a pair of Siamese twins known as "The Octopus". They run a thieves' guild in which they train and force orphans (one of whom is Miette) to steal for them. Due to unforseen circumstances, One gets caught up in a the theft of a large safe (which only he can carry). The end result of which is the orphans' failure to completely empty the safe. Annoyed with this failure and Miette's subsequent decision to run off with One (Miette is their best thief) the Octopus seeks to destroy them. To this end they attempt to secure help from their former sideshow employer, whose trained fleas can inject poison into a person's scalp, inducing the victim to commit acts of violence when the flea-master plays his barrel organ and his scences are the best in the movie. Directed by the french duo of Jeunet & Caro who also did the yummy canniable flick “Delicatessen” (Jeunet later did Alien Reserection and the french film “Amelie”) The story telling is wonderful the direction is flawless and the special effects are some of the best you could ever see in the mid 90’s cinima. I don’t know any one who has seen this film that doen’t love it on some level. Yes, there are some confussing elements to it and takes some weird turns but this movie with all it’s layers forces the movie goer to fill in the blanks and think outside the box to fully understand the complexites of this film…I’ve seen it a dozen times and I’m almost there!




Wednesday, July 19, 2006

Music inspired art

Here is the first of hopfully many more music inspired pieces. This is from the Korn song "Make me bad". If you have any song that might be good for this project just e-mail me.

Friday, June 02, 2006

The new legends


Here are the fabulous five martial artists that I feel are the "Second" generation of cool martial arts films. Many people will argue that Jackie Chan could be included in the "first" generation, but since he is still making movies and gained his US popularity in the late 90's he's on this list.

If people like this one, I might do a litho of the original masters of Kung Fu/ Martial arts with Bruce Lee, Gordan Liu, Sonny Chiba, Yuen Wah and the one and only Chuck Norris!

Sunday, May 14, 2006

Let's kick some ass...





Greatest martial arts fight scenes. My top Ten!

When doing my research for this subject I started to notice that the greatest fighters in modern day martial arts movies were split down the middle between two guys, Jet Li and Jackie Chan! They are hands down the greatest ever, no argument can be made so don’t even try. Bruce Lee, Sonny Chiba, Gordon Liu helped to pave the way. I’m also keeping most of these current, in the last 20 years or so. I could easily see how great the oldies are and the great battles in movies like Seven Samurai, Street fighter, Game of death, Master killer, Shogan Assassin and the 36th chamber of Shaolin All of those are Classics with classic fight scenes. With that being said how can I make a top ten list without those greats? I decided once again to go with “My favorite” theme. This time I judged all the scenes on these criteria. Length and difficulty of the scenes. Cool movies, how it was shot and of course the dramatic elements of the fight! I would also like to mention the new stars on the block or at least to American audiences that will help pave the way for more great Martial arts movies for years to come. Michelle Yeoh, Donnie Yen and Tony Ja. Bow to your master! Now, let’s begin.

(Starting from the bottom this time)

Honorable mention for American movies. This list will be dominated by the Asia cinema, but I had to mention these two American films that have some great fights that made me take notice.

The Best of the Best- One of the best American martial artist movies about the sport of Tae Kwon Do. Great action and drama with a nice ending. the sequel is a bit cheesy but is worth watching too. Phillip Rhee is high underrated and underused martial artist.
The Rundown- Highly underrated film and action sequences and of course one of the coolest fights between the Rock and the little Brazilians!



10. Bloodsport/The Kiss of the Dragon. (Tie) Kiss of…Not a great movie, but any movie with Jet Li in it is worth the money spent to see it! The fight scene with the “twins” at the end of the movie is awesome and brutal. Nice mix of east meets west action with this scene. Bloodsport is one of my favorite movies when I was a teen. I’ve watched this movie at least 50 times! This movie made Van Dammit a star, watch the last few fight scenes and especially the one with the great Bolo Yen and see why.

9. Matrix Reloaded (Neo vs. Agent Smiths or the Burly Brawl) this is one of the greatest scenes in martial artist movies in some time. It would have rated higher if it didn’t have so much CGI and slowmo “bullet time” FX and just got down to the nitty gritty. I love this scene, who the hell doesn’t? How great would this movie have been if Jet Li and Michelle Yeoh didn’t both turn down roles in it!

8. Zataichi, the Blind Swordsmen (fight in the rain) this was a great battle with great action and direction. Everything about this scene speaks of cool!

7. Kill Bill vol. 1 ( the Bride vs. the crazy 88 & Go Go Yabari) You have Choreographed fights by Yuen Wo Ping, with Tarentino Direction and old school Shaw Brothers blood splatters SFX and music Montage by RZA!! Are you kidding me, this one is great, graphic and action packed. Directed beautifully, and a nice bonus cameo by none other than the great Gordon Liu!!

6. First Strike (Jackie Chan and the ladder fight) This Scene has great action and thrilling stunt work, this is the stuff that made Jackie a household name and one of the biggest stars in the entire world!

5. Ong Bak, the Thai Warrior ( Tony Ja in the final fight scene) When I first saw this flick last year I knew I was looking at true greatness and the successor to Jackie and Jet right before my eyes! This movie is packed with great, brutal Muy Thai fight scenes that will make you cringe to watch. Tony has what Bruce and Jet have, raw fighting ability that looks real on scene and the stunt and acrobatic work of Jackie Chan. Bruce Lee would love Tony Ja, why? Tony really kicks ass and never uses wires!


4. Fist of Legend (Jet Li vs. the entire Japanese school) this is a remake of the Bruce Lee Classic Fist of Fury. Great fight scene that I believe the Wachaski brothers modeled the “burly brawl” after. This one is fantastic to see Jet Li and his intense style brought to its peak in this scene

3. Hero ( the chess house fight with Jet Li and Donnie Yen or the fight between Broken Sword, Tony Leung, and the King of Chen ,Chen Dao Ming.) The entire movie is packed with great visuals and fantastically gorgeous fight scenes. This movie has one great shot after another and has a powerful message wrapped into all this great action. Seeing two masters like Jet Li and Donnie Yen once again clash swords is a treat for any hard core fan!


2. Crouching Tiger, Hidden Dragon (Michelle Yeoh and Zhang Ziyi with all the weapons) this is one of the best movies of any kind and helped break down the “kung fu” movie stereotype for western audiences. It’s cool to know one of the best character conscious, plot driven period peace movies of my lifetime is also one of the best action movies as well!! Every fight in this is perfect and is executed with precision mastery; it’s almost incomprehensible to witness such a master that got such great critical and popular kudos by an American audience. Thank god the public and critics came together on this gem!

1. Legend of the Drunken Master (Jackie Chan vs. everyone in the final fight scene) this scene is long, with stunts great action, drama, lots of fighting styles and great martial arts! This fight is amazing and in typical Hong Kong movie making magic took about 6 weeks to shoot the finial scene (after about three months of rehearsal) this fight will have you exhausted by the end. Jackie out did himself on this one!

Friday, May 05, 2006

The Directors...





I've shown my favorite films and what great films they are. What makes a great film you might ask? Acting can make a good film, yes as well as a good story... but without a great director your film will never reach it's full potential. As a film buff and fellow story teller I have great admiration for the job that today's directors do. There have been many great directors from Orsen Wells to Stanley Kubrick to Alfred Hitchcock and Akira Kurasawa. It's hard for me, with my limited film knowledge that really only spans the last thirty years, to compares today's directors to the greats of old. So once again this is my list of Favorites. This list is MY top 10. I'll even go deeper and tell you why I like each director to give you more insight to what I look for in a great director. Enjoy...or not.

1. Martin Scorsese. ( Raging bull, Goodfellas, Kundun, Gangs of New York.) This man is movie gold in my opinion. The greatest film maker I've ever seen. This man should have a dozen Academy Awards by now. There is no other film maker that can tell a character driven movie like Marty. It almost make me want to vomit when his movies never make the money they should at the box office. Anyone that doesn't go out and support these kind of film makers should have their house fire bombed. God please let Marty do one of his movies and it make some money!

2. Quentin Tarantino ( Kill Bill, Pulp Fiction) Quentin is without a doubt our generations Francis ford Coppola or Martin Scorsese. A true icon of my generations film makers and had one of the most influential movie on the industry of the last 20 years, Pulp Fiction.

3. Steven Spielberg ( Saving Private Ryan, Raiders of the Lost Arc, Minority Report.) My generations Steven Spielberg, LOL. His films really push the creative boundaries. Every time you think he's going in one direction he does something like Ryan, or Munich that makes everyone turn there head and know he can truly do it all! The Michael Jordan of Film Directing.

4. David Fincher ( Fight Club, Seven) David is one director that if you could give him a blank check and a good concept the man can deliver the most provocative video masterpiece...Everything. Very few directors working today can match his visual style and unique story telling ability.

5. Michael Mann ( Insider, Heat, Collateral) Big time director that can handle big time stars and get the best out of them, everything. Few directors carry the respect of the finest in the biz like this mann ( pun intended) He has directed the biggest stars on the planet and can tell compelling character driven storylines and dynamic action sequences seamlessly. This man is a master at letting the characters come to life and draw us into the film.

6. Brain DePalma ( Scarface, Carlitos Way, Untouchables, and the up coming The Black Dahlia ) visual style that has been teaching young film makers for years how to open a scene with tention and style that has DePalma written all over it. Overhead shots that slowly pan the scene to stunning close ups from unique angles always tell the viewer your watching dePalma.

7. Chistopher Nolan ( batman Begins, Insomnia, memento, the Following) few directors can boast a 1.000 batting average in the bigs...This one can. Everything he touches is a master piece. With only a few films under his belt Mr. Nolan is quickly showing people that not only is he a master storyteller but he can do a big budget Hollywood movie like Batman and do it better than it's ever been done before.

8. Sergio Leone ( Once upon a time in America, Good the Bad and the Ugly, Fistfull of Dollars) The king of the intense close-up and the man who made Clint Eastwood and the spaghetti western a star is still looked at and revered by pears young and old as a true craftsman of the art of film making.

9. Guy Ritchie ( Lock Stock and two smoking barrels, Snatch) A lot of people like to hate on him now a days, but don't make the mistake of writing this limy off just yet. His first two major film releases were as exciting to watch visual as anything I've seen in recent memory. His directing style is purely defended as his unique eye for off beat outrageous characters. His pacing is strong and keeps you glued to the edge of your seat. I defy anyone reading this to watch those two films and not see the budding greatness that is Guy!

10. Terry Gilliam ( Fear and loathing in Las Vegas, Brazil, 12 Monkeys, Time Bandits) Quirky, odd, witty and visual brutal. All this coming from a Montey Python! Terry is a truly gifted film maker that has imagination with scenes and characters like no other. Dark, quirky films that have so much depth and layers that he guarantees he will never be truly embraced by American audiences the way he should. If you like Tim Burton and his films, you'll love Terry Gilliam. He's had a few mis steps as of late, but I see and big cult hit just around the corner.

Coming soon, my top screen writers! (oh boy) One of these days I'll write something about my comics I'm working on. : )

The pick at the top is from the movie "Snatch"...put that in a google search ( as i did to find that pic) and see all the goodness that pops up. How stupid am I........don't answer that!

Tuesday, April 04, 2006

The top 100...

My buddy Chris and I are huge Movie buffs. for years we have pondered and debated over the great movies of our generation. We have done "best of" lists countless times but this is the newest of our lists. This is my Top 100 movies. The three criteria I used for this list were movies from the past 35 years, more or less, i took some licence with one but I left off most of the older "classics" that tend to dominate these lists. The second criteria to my list was these are my favorite movies. These aren't the movies that are technically superior or set the mark of a master piece, some do others don't...These are my favorites. The last criteria is that every movie on this list I've seen more than once. I love talking movie, feel free to e-mail your support of my movie list or lambaste me for the shitty ones on the list. If you wanna read Chris's list than you need to get in touch with him because he didn't send me a file to upload it. I'm much to lazy to type his out, besides...this is my fucking blog!




Jeff’s top 100

1. Pulp Fiction

2. The Shawshank Redemption
3. Raging Bull
4. Memento
5. Seven
6. Empire strikes back
7. Goodfellas
8. Heat
9. Fight Club
10. Reservoir dogs
11. Kill Bill 2
12. Kill Bill 1
13. The Usual Suspects
14. Alien
15. LA Confidential
16. LOTR/Return of the King
17. A Scent of a woman
18. Indiana Jones and the temple of doom
19. Die hard
20. Chinatown
21. Blade Runner
22. Kundun
23. the Fifth Element
24. Fargo
25. Tombstone
26. Carlito’s way
27. the Matrix
28. Minority Report
29. Lethal Weapon
30. the Seven Samurai
31. One Flew over the Coo coos nest
32. Desperado
33. Saving Private Ryan
34. Scarface
35. Braveheart
36. Godfather part II
37. Requiem for a Dream
38. A Fistful of Dollars
39. Silence of the lambs
40. A Clockwork Orange
41. Hero
42. Sling Blade
43. Trainspotting
44. Gangs of New York
45. Shaun of the Dead
46. From Dusk till Dawn
47. the Shining
48. Casino
49. Sin City
50. City of Lost Children
51. LOTR/Fellowship of the ring
52. Swingers
53. E.T.
54. Zatachi, the Blind Swordsmen
55. The Incredibles
56. Ronin
57. the Terminator
58. the Big Labowski
59. the Rainmaker
60. Being John Malkovich
61. Lock, stock and two smoking barrels
62. Back to the Future
63. True Romance
64. Forrest Gump
65. Rocky
66. Leaving Las Vegas
67. Ghost in the Shell
68. Star wars (a new hope)
69. Unforviven
70. Taxi Driver
71. Raiders of the lost arc
72. Boys in the Hood
73. The Naked Gun
74. Chasing Amy
75. Saturday Night Fever
76. There’s Something about Marry
77. Narc
78. Clerks
79. Revenge of the Sith
80. Good Will Hunting
81. Batman Begins
82. Austin Powers
83. the Crow
84. Donnie Darko
85. Lady Snowblood
86. Jay and Silent bob strike back
87. Legends of the Drunken master
88. the Machinist
89. Sleepers
90. the Killer
91. the Rock
92. Robocop
93. Bull Duram
94. the Untouchables
95. American Psycho
96. the Cable Guy
97. Office Space
98. Bound
99. 12 monkeys
100. Bloodsport

Monday, March 20, 2006

V for Very cool flick

Just saw the movie the other night, and I have to say it's defiantly worth seeing. One of the best performances by the two lead actors in a comic book movie I've seen to date. The story drags on in parts of the movie but the well textured characters and plot really kept me watching and trying to figure out where it was going. Of course the over all subject matter has gotten lots of media attention and I'm sure everyone has an opinion on that; as do I but I'll leave that for the politely talking heads to argue and debate those aspects. This is a very well done movie and places high on my list of top comic book flicks. It's not flawless, and the only two movies that come close are Batman begins and Sin City, but it's a very cool movie that i will be picking up on DVD. it's a shame that Alan Moore wants nothing to do with Hollywood, but hey, he's one hell of a guy to have this movie be made and let the artist take full screen credit and cash for this project.

Here is my top Ten comic book movies

1 Sin City
2. Batman Begins
3. Hellboy
4. V for Vendetta
5. The Crow
6. From Hell
7. Blade
8. Spiderman
9. X-men
10. History of Violence/Renegade

Thursday, March 02, 2006

Copyright law change?

FROM THE ILLUSTRATORS’ PARTNERSHIP
02.24.06
Call for Action to Prevent Orphan Works Amendment to U.S. Copyright Law
Tuesday, Victor Perlman, attorney for the American Society of Media Photographers went to Washington to register ASMP’s opposition to the recent Orphan Works Report.
Last week, Vic phoned us and asked if he could speak for IPA as well. We sent him the letter we submitted to the Copyright Office last year and said he could tell Senators and Congressman that it expressed the opposition of the 42 arts organizations in the U.S. and throughout the world, and the nearly 2,000 artists who signed it.
Orphan Works legislation is being championed by museums, libraries, archives, foundations and Free Culture advocates, and there is concerted pressure on Congress to write the recommendations into law before the end of this session.
This legislation jeopardizes visual artists’ copyrights and robs artists of income. We need to make sure that lawmakers hear from the people who will be hurt by these harmful changes to the 1976 Copyright Act. To do this effectively, all illustrators and photographers need to make their voices heard. ASMP has already asked their members and others to commence a letter writing campaign to lawmakers.
We urge all artists to do the same, and to act quickly to express your opposition to your Congressional representatives. We wouldn’t ask unless it was vital. This is a make or break moment for artists, creative authorship, and the exclusive rights guaranteed to artists under U.S. Copyright Law and the Berne Convention.
For maximum impact, we urge visual rightsholders to fax letters on your letterhead. E-mails don’t carry the same weight, and neither do form letters. We are providing a sample letter for you, but we recommend you modify it with your own points, or write your own letter. We are providing the complete list of those to contact at the bottom of this message. Or you may wish to use the excellent resource of tools to simplify faxing to legislators graciously provided by ASMP at http://asmp.org/news/spec2006/orphan_tools.php
–Brad Holland and Cynthia TurnerFor the Board of the Illustrators’ Partnership of America
The Orphan Works Express
Congress is scheduled to commence Orphan Works hearings the first week in March. They hope to pass legislation before the end of the year. According to a source on the committee, this proposal is being fast-tracked because lawmakers think it has wide-spread support within the creative community. We need to disabuse them of this notion.
The spin that’s being put on this legislation is shrewd. Special interest groups have re-defined copyright users as “creators” of “transformative works.” They’re trying to persuade lawmakers that these “creators” - and therefore, creators in general - are being hampered because of obsolete protections on work which has “little or no commercial value.” Yet the omnibus measures proposed in this Report would affect any work - old or new –that’s been published without identifying information. This would apply disproportionately to illustrations and photographs. We need to make it clear to congressmen that these interest groups do not speak for real creators and that our work has significant commercial value.
Orphan Works legislation would be retroactive. This means that all the work you’ve done during the last 28 years could fall into the Orphan Works category if it was ever published without “relevant information” on it, was improperly credited or had been re-published by others without credit. In other words, it would take only one copy of any picture you’ve ever done – published without “identifying information” on it - or with that information removed by others – to justify an infringer’s claim that he was unable to locate the author. The same thing would be true, of course, for future work.
Disputes over infringement would have to be settled in court. (And remember, copyright law is a Federal law, which means Federal court.) The worst thing that could happen to an infringer –if detected - is that a court might make him pay you a “reasonable fee.” This means there’d be no real downside for infringing. For 28 years (since the 1976 Copyright Act went into effect), you’ve been told that your work was protected “from the moment you put pen to paper.” No more. And artists who for 28 years produced work with the confidence that it was protected by that promise will find that the promise has been repealed. In effect, you could now be penalized for having believed what the government told you for the last three decades.
The plan in a nutshell. For years, Free Culture advocates such as Creative Commons have been arguing that the US should lead the way in re-imposing copyright “formalities” such as marking and registration. This would aid the spread of “free culture” because most artists would fail to mark and register their work (or marks could be removed). This would make a vast number of illustrations and photographs royalty-free for anyone to use - or for companies like Google to sell access to.
Unfortunately for the free culturists, the US can’t re-impose formalities without violating or withdrawing from the international Berne Convention, which forbids formalities. And if the US did opt out of Berne, our country would effectively become a copyright outlaw. That would hurt American trade.
So the Copyright Office has crafted their orphan works proposal as a “limitation on remedies.” This would not re-impose formalities. But it would remove or emasculate penalties for infringement, potentially in any case where an illustration or photograph was published without “relevant information” on the picture itself. In effect, this would force artists – as a hedge against infringement – to re-impose on themselves the “formalities” the government can’t. Any artist who didn’t mark his work would expose it to no-fault infringement - a very clever way to re-impose formalities without actually putting it in writing.
Remember, this is all being done in the name of promoting creativity by artists. That’s why we, as artists, will have to speak up in numbers. We have to show lawmakers that the Free Culture movement - and the creative wannabes who comb the internet looking for royalty-free work - do not represent the true creative community. We have to say that this legislation would do great harm to our ability to create and make a living from our work.
What you can do. In their effort to speed this legislation through Congress, the plan’s shepherds are severely limiting testimony for and against it. That’s why your letters are important. Write to the senators and congresspersons who will be voting on this legislation, and do it as soon as possible. Express yourselves directly and frankly. You don’t have to write a complicated letter, but it’s important that you make certain points:
-Make it clear that you’re an artist and that you believe your small business will be endangered by placing limitations on remedies for infringement.
-Make it clear that you will never have the resources to police infringement of your work - which could occur at any time anywhere in the world.
-Make it clear that your work could be orphaned by others, no matter how diligently you do the right things to protect it.
-Make it clear that your work has significant commercial value.
For artists, this legislation would be a major revision of copyright law. The Orphan Works Report calls for a 10 year “sunset provision,” which means that Orphan Works legislation – once passed - will not be subject to reconsideration for another10 years. But if your copyrights have been laundered into the public domain during that decade, they’ll be lost to you for good as surely as the income that will be lost with them. And after 10 years of copyrighted work turning royalty-free, the market for art will be so deformed – and expectations in the marketplace so settled – that there’ll be no going back. We can’t wait until this law gets “reviewed” 10 years from now to express ourselves on it.
The government should not be allowed to create a royalty-free stockhouse out of artists’ work. Please write as soon as you can.
-Brad Holland, for the Board of the Illustrators’ Partnership
To write Congress: Follow the instructions Cynthia Turner has outlined on the IPA website:http://www.illustratorspartnership.org/04_forums/index.php See forum entitled: Write Congress: Questions and Answers.You may post responses or ask questions on these forums. First-time users will be asked to register.
-For additional information, also see: “Call To Action To Prevent The Orphan Works Amendment To Copyright Law”and “Free Culture-The Copy Left Is Not Right.”

Sunday, January 08, 2006

Hostel...


This is a true horror movie in every scence of the word for those of us that love the genre. Yes, it has suspense and thrills but it also has something that these PG-13, so called horror movies don't have; graphic and gratuitous violence! It's about fucking time!

The Movie opens with three travels (two college age guys and their Icelandic travel buddy that they befriended on during their trip) as they trek across Europe to find "drugs and pussy" and they find an abundance of both.

Like your typical horror movie is have lots of sex and nudity which is cool, unless your the dumbness who brought your 14 year old step daughter to watch it with you, then it's a bit uncomfortable to watch. What this movie is about is simple in promos but is smart in execution. I'm not going to get into plot details because I do believe the best Horror experience is when you go into a movie cold, as I did with this one. Never knowing where the horror is coming from or knowing all the reasons why.

Unlike most horror flics, this movie is smart, well written and directed. It has very good acting for a horror movie, and the acting really sells the brutality of some of these sences.

The scenes are violent and ruthless, there is some very unsettling things to watch but you can't turn away from them. This movie doesn't try to hide behind some deranged serial killer or homicidal maniac or the super natural element to explain these violent acts...better yet. They put a spin on it that makes it quite believable but still disturbing. Very new school horror

The setting was perfect. Your in another country where you don't have friends to call for help, you don't know your surroundings and you can't just pick up a phone and call 911. That element really helps you believe the atrocities that will accrue later in the film.

This film pushes the suspense to a new horrifying level with some really big pay offs with blood and guts. I can't wait for the unrated directors cut DVD that is sure to hit the shelves.

I can't say I'm a fan of many horror movies in the past decade, but this is now on the top of my list. One of the best I've seen in a while, check it out and don't forget to bring the little ones, fun for the whole family!

Monday, January 02, 2006

Some of my favorites...

Random art from a while back, some of my favorite pieces from the last year. Remember I do commissioned piece, so e-mail me. I get busy and turn down some commissions if I think you idea sucks, sorry that's life deal with it. I really love doing the movie commissions. I'm itching to do a Receiver Dogs, or Jakie Brown piece so if someone wants one, e-mail me and we'll see if we can work something out.

Enjoy.


Some of these are more than a year old...so sue me.